He brought melting legato phrasing to lyrical passages. His sound may lack some Italianate richness, and his tone tends to be focused, with minimal vibrato.
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Metropolitan Opera Review: Macbeth – Opera Wire
On the whole, I think he did really well considering he had to go on with virtually no rehearsal. Netrebko was her usual, uneven self, producing some really weird sounds and then singing beautifully the next moment.
The unpleasant surprise was Polenzani and Filianotti, really weak and wobbly. The delay was caused by technical difficulties backstage. This show is just so difficult to watch. Domingo was removed in part due to public opinion expressed in fora such as this one.
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Now you have the consequences. To think that the macbeth of the cast, especially the leading lady, was not informed is pure ignorance, or bad faith. In her tweet she implies that there was no time to rehearse. Armchair experts, please note: this can happen too. Most rehearsals, esp of revivals like Macbeth, are done in other locations than the Stage and with only a few scattered bits of the set. Secondly, covers rarely even get a rehearsal in these situations—other than musical, esp.
His cover went on. The curtain was late because the matinee of Manon is four hours long and the quick met between operas can run into difficulties.
This is not uncommon and not some conspiracy. Colclough met a very successful debut. He has a very nice voice, with a warm and resonant tone. I vastly preferred him to the other two previously scheduled singers. Or at least that is how the Laurent Pelly production, updated from the 18th century to circacomes across. The Gigi-like Manon macbeth intermittently stalked by a phalanx of identically dressed men, an obvious but effective symbol of the patriarchy.
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He is in no way the traditional delicate, poetic Des Grieux; rather, he macbeth a volcano of raging hormones, and his love lurches disturbingly into obsession. Pairing two superstars — Ms. Netrebko and Mr. Domingo — had been the selling point of this latest revival. Instead, the reunited Ms.
Lucic could draw macbeth their past experience together. Still, the stress of an 11th-hour upheaval may have had an effect: There was a feeling of concerted effort, as if an entire company of dedicated artists were digging in as best it could, despite the energetic and articulate playing the conductor Marco Armiliato drew from the orchestra.
That Mr. This production ran: Sep 25 met Oct 12 This production is met the past.
Slipped Disc | Just in: The Met replaces Macbeth, again
Read Synopsis Read Program. Composer Giuseppe Verdi. Articles The Head that Wears a Crown.