Richard goldstein village voice

Hearing Janis Joplin for the first time at Montereyhe embraces her as his new rock heroine but also describes her as a performer whose fusion of authenticity and vulnerability should have flagged up pene mas grande doom to those close to her. An unapologetic selfishness spread through the system.

Despite the departure of Goldstein and Solomon, there is no indication that the Voice is reducing its commitment to gay and lesbian content or staff. Local did not return a call seeking comment, but the NLRB regional office in Manhattan said no charges have been filed against the newspaper.

For his part, Goldstein is not commenting on any of these matters, at least for the time being. In the years that followed, he became close to rockers Jim Morrison and Janice Joplin, and in the 80s was among the first to write about artists Keith Haring and David Wojnarowicz.

After spending three years at New York magazine in the early 70s, he returned to the newspaper as a juice gay editor in at the time that Clay Felker, whom he met at New York, bought the Voice.

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The only way I could deal with it was to leave, to stop. Though he left rock in the Seventies, Goldstein would eventually return to journalism as the arts editor at the Voicewhere he would stay on the masthead until All of these complexities really interested me. I wanted to get into my version of it. Another generation had AIDS; we had drugs. Goldstein took time out from teaching at Hunter College to speak to Rolling Stone about discovering rock as a liberating force, bonding with Janis Joplin and the legacy of the Sixties.

What was your favorite music martinique area code up? Well, I sang doo-wop as a teenager. I grew up in a housing project in the Bronx.

Articles, interviews and reviews from Richard Goldstein: Rock's Backpages.

But you could sing with them, and so I did. We would sing anywhere. Those were peak experiences for me, and literally an introduction to the possibilities of rock. What were your favorite groups back then? I adored the girl groups — my first real rock piece was on the Shangri-Las. I understood entirely where they were coming from as girls from Queens. They seemed like the people in my neighborhood to me. Gay aquarius moves and big hair: Those were my values as a kid.

Sex, Drugs & Rock Criticism: Richard Goldstein on the Sixties - Rolling Stone

And what about rock and roll? Well, of course I was a nerd. And I think it shows in the pictures of me. I did try to cover it up with hippie attire and long hair But I was always uncertain and quite nerdy. If we casually refer to rock as an industry now, Goldstein reminds us of a time when the relationship between a musician and her fans was personal, even intimate.

He spoke by phone from Paris about the early years of rock writing, his growth as a writer and his increasing disenchantment with the scene that had become an industry.

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Did it feel like that then? That was the basic element in my work, and I think it still distinguishes the genre. Rock writing is a holdout against the idea that the author is dead. How did that affect your relationship to the scene you were to document? We both gay club poland up working class, and we were well educated as a result of the postwar college boom.

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